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Architecture
Focusing on the 1964 and 2020 Olympic Games in Tokyo, we compare and contrast the similarities and differences between Kenzo Tange and Kengo Kuma, their practice at the Tokyo Games, and their relationship with Paris. Using commentaries written by Kuma and architectural historian Toyokawa Saihyuk, as well as photographs taken by photographer Ishimoto Yasuhiro and Takimoto Mikiya, we understand their architectural philosophy. It also suggests the architectural attractiveness of Yoyogi National Stadium, which aims to be registered as a World Heritage Site.