Book (Practical) Music Notation of Renaissance Kogaku / Tatsuo Minakawa

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Music
[Introduction to the Contents]
A long awaited textbook for ancient music lovers who will be able to read the Renaissance music
It is difficult for modern people who are accustomed to the five line notation to decipher the "Shirafu Metrication Notation" used in the 15th and 16th century Renaissance music.
A scholar of Western music history who made efforts for the spread of medieval music chorus for many years explains the knowledge essential for singing the original Renaissance music score with rich examples and hereditary examples for beginners.
The 1 note and rest
The 2 complete / incomplete division, incomplete / doubled division (1)
The 3 incomplete / doubled division (2) 黒符
The 4 incomplete / doubled division (3)
The 5 リガトゥラ (linked notes) (1)
The 6 リガトゥラ (linked notes) (2)
The 7 Musica Fica (half-tone variation)
The 8 プロポルツィオ (proportional)
The 9 Three Divisions of Semi-Brevis
The 10 Complete Divisions and Complete Divisions (3 × 3)
[Contents]
The 1 note and rest
The 2 complete / incomplete division, incomplete / doubled division (1)
The 3 incomplete / doubled division (2)
The 6 リガトゥラ (linked notes) (2)
The 7 Musica Fica (half-tone variation)
The 8 プロポルツィオ (proportional)
The 9 Three Divisions of Semi-Brevis
The 10 Complete Divisions and Complete Divisions (3 × 3)
The 1 note and rest
The 2 complete / incomplete division, incomplete / doubled division (1)
The 3 incomplete / doubled division (2) 黒符
The 5 リガトゥラ (linked notes) (1)
The 6 Japanese (linked notes) (2)
The 7 Musica Fica (half-tone variation)
The 8 (proportional)
The 9 Three Divisions of Semi-Brevis
The 10 Complete Divisions and Complete Divisions (3 × 3)
The author is a music historian.
Born in Tokyo on April 25, 1927.
Graduated from the Faculty of Letters, University of Tokyo in 1951, completed the Graduate School of Literature, University of Tokyo 1953 1955 1962 1952 2020 Rikkyo University